Florence Street, Glasgow
2022

Synanthrope refers to a category of ‘undomesticated’ creatures who live and benefit from close association with people and their environments. Synanthropes — rats, ants, crows — know us and our homes better than we do, tracing our movements and intuiting our walls.

The solo exhibition Pleasure Pest presents a series of sculptures created from found objects and domestic building materials. This body of work plays with the intersection of the synanthropic relationship between human bodies, architecture, and nature—specifically the common household ‘pest’. Made during a time of isolation and illness, the work explores the bones of our homes and the boundaries of our bodies by viewing domestic and bodily interiors through the eyes of pests.

This project was produced with GUSH Residency, curated by Ruth Dober and featured writing by Gwen Dupré. It was supported by Urban Office and The Hope Scott Trust.

Pleasure Pest

Belly of the Wall

timber, drywall, hardware 

left to right

Snail

oil paint, modified shelving unit

Snail Trail

steel, birch branches, oversize tassel, cast wax tongues, wire, hair, fly trap containers

top to bottom

artwork 1

material list

artwork 2

material list

artwork 3

material list

Cavity 1

tiber, hardware, sand, pewter, insulation, plaster board, paper mâché, paint, wax, found stick, diamontes, shelving unit struts