Unfolding from personal experience and environmental rupture, Town Without Pity uses the suitcase to drift between collapse and containment.
This sensation of inhabiting past and future negotiates vulnerability, exploring suitcases as vessels of the body, capturing the diaristic narratives of intimacy and transition.
Town Without Pity is a solo exhibition, curated by Chaz Scott and accompanied text by London-based Rose Higham-Stainton and Los Angeles-based Angella d’Avignon.
Town Without Pity
aware kind dominant satiated satisfied the next on my hands and knees sobbing
concrete, steel, paper-maché, ribbon, two metallic, mylar heart balloons, primer, oil paint
today I feel free
aluminium, primer, oil paint, hardware
Top to bottom
I feel free
Alumminum, primer, etc.
I feel free
Alumminum, primer, etc.
it always starts inside. in a cave. in a car.
Ali’s suitcase, monitor, hardware and cables, Danny and Conor sing Elvis Presley’s 1977 “Unchained Melody” in a 2002 Honda Accord on the 101 freeway into Echo Park